The Ladykillers
SEARCH IN  
Click here to buy posters
In Association with Amazon.com
 
ORDER DVD
 BUY THE DVD OR VHS
  
 
  
ORDER THIS POSTER
BUY THE POSTER  
 
The Coen brothers never cease to amaze me with their wacky and just plain unusual films. This remake of the 1950s classic places Tom Hanks at the helm of a mismatched group of criminals. Hanks plays Professor G.H. Dorr, Ph.D., an intellectual Southern gentleman who gathers a team of stereotypical criminals (the muscle, the inside man…) to rob a casino riverboat. To do so, he rents a room in the home of sweet, unsuspecting old Marva Munson (Irma P. Hall) and plans to tunnel from Mrs. Munson’s basement into the casino’s secret underground vault. In order to cover up their plot, they pose as Renaissance musicians who practice religiously in the basement.

The Ladykillers definitely isn’t my favorite Coen brothers film (I think I’d have to reserve that honor for Raising Arizona). But despite the fact that it’s a remake, it’s still totally Coen brothers. The characters are wonderfully overdone (like the eccentric Professor Dorr, who looks more like an old Civil War-time plantation owner than a twenty-first century college professor). Tom Hanks does an excellent job in his quirky role, and the rest of the cast plays right along—though Marlon Wayans’s crude and not-so-bright character becomes pretty annoying after a while. The characters, their instruments, their actions…it’s all just pleasingly peculiar—exactly what you’d expect from the Coen brothers.

The Ladykillers has a laid-back, relaxed pace that fits perfectly with its Southern setting, but that means it’s not as fast-paced and action-packed (or as outrageously hilarious) as you might expect. At times, I’ll admit that I found it to be a bit slow. Still, it’s unlike anything else that you’ll see in theaters (or on the shelves at your local video store) these days (except, perhaps, for other Coen brothers movies), and that makes it well worth checking out. And when the movie’s over, don’t take the DVD out of the player without watching the “Slap Reel”—which is just one big, long, side-splitting sequence of Irma P. Hall repeatedly smacking Marlon Wayans upside the head.

Submissions Contributors Advertise About Us Contact Us Disclaimer Privacy Links Awards Request Review Contributor Login
© Copyright 2002 - 2024 NightsAndWeekends.com. All rights reserved.