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Moneyball

kdk September 23, 2011
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Each fall, Hollywood presents at least one big inspirational sports movie—a .com/articles/10/NW1000395.php>Secretariat or The Blind Side to tug at audiences’ heartstrings and make them stand up and cheer. The bigger the stars, the more buzz it gets—and it doesn’t get much bigger than the buzz for Brad Pitt’s big baseball movie, Moneyball.



Pitt stars as Billy Beane, the general manager of the financially-strapped Oakland A’s. After a disappointing postseason loss in 2001, Beane finds himself losing all of his best players to bigger teams with bigger budgets. As he looks ahead to another off-season of scouting and bargaining—trying to put together the best team that very little money can buy—he meets Peter Brand (Jonah Hill), a young Yale economics graduate who suggests a different approach.



Using facts, figures, and computer software, Beane and Brand create a team of has-beens, misfits, and troublemakers—much to the chagrin of the team’s scouts and disgruntled manager Art Howe (Philip Seymour Hoffman). At first, it seems that their plan will fail miserably—until, with a little bit of encouragement from a typically hands-off GM, the players start to turn their luck around.



Like most inspirational sports movies, Moneyball follows a tried-and-true formula, guiding viewers through the emotional roller-coaster of soul-crushing lows and record-breaking highs that was the A’s 2002 season. Still, it isn’t as much about the team as a whole as it is about Beane and his journey. The film often flashes back to Beane’s own disappointing professional baseball career, which seems to have led to a personal understanding of the imperfections of the league’s traditional scouting methods. Meanwhile, as the season plays out, the story seems to connect the team’s confidence in their own abilities to Beane’s confidence and involvement in their growth.



Throughout the ups and downs of the season, Pitt’s Beane makes a likeable hero. Despite his desperation—and the pressures of his job—he remains easy-going and even optimistic, only losing his cool once (and when he does, you’ll definitely pay attention). He’s just the kind of guy that you’d expect to find running a baseball team—and the kind of guy that you’ll enjoy spending a couple of hours with.



Of course, Pitt isn’t the Hollywood pretty-boy that he once was. No longer a 20-something heartthrob, the 47-year-old star is definitely showing his age. But, as an actor, he’s aging gracefully—and, throughout the film, you’ll often be struck by the uncanny resemblance, in both appearance and style, to Robert Redford.



At the same time, though, Pitt is surrounded by a convincing cast—from Hoffman as the team’s insubordinate manager to Chris Pratt, who plays nervous catcher turned first baseman Scott Hatteberg. Even Hill, who sometimes feels rather awkwardly cast, brings some comic relief while playing his usual goofy, overweight sidekick.



Moneyball is sure to be a grand slam for baseball fans—but, even if you don’t know your RBI from your ERA, you’ll still appreciate the depth and drama of this effectively uplifting, character-driven sports story about a couple of guys who brought our beloved national pastime into the digital age.

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About Post Author

kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it. Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course. As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com). Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.
kdk@nightsandweekends.com
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kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it.

Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course.

As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com).

Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.

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