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  • Abattoir Blues / The Lyre of Orpheus

Abattoir Blues / The Lyre of Orpheus

kdk April 14, 2005
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Not long ago, I heard a song on my favorite

radio station that made me stop and pay attention. “That sounds like Nick Cave,” I told

my husband. “But…it can’t be.”



But, according to the DJ, it was. I

wasn’t sure whether to be shocked (and a bit disappointed) that Nick Cave would go

mainstream or totally impressed that my radio station was cool enough to play something

so…alternative. Either way, I rushed out to the library to pick up a copy of the latest

Nick Cave and the Bad Seeds album, a two-disc set: Abattoir Blues and The Lyre

of Orpheus.



Nick Cave was one of my favorites during my

combat-boot-alternative college days. His music was dark and sinister and grim, with

growling vocals and often gruesome lyrics. Yet there he was, on my local radio station,

singing an almost-top-40-sounding “There She Goes, My Beautiful World.” The voice was

still Cave’s gritty sound, but the music was different. The album, however, is still

very Nick Cave. The songs are hypnotic, heavy with piano and percussion, giving parts of

the album a grim bluesy feel.



Abattoir Blues is the more

toned-down and mainstream of the two. The songs are more fast-paced, with songs like

“There She Goes…” The Lyre of Orpheus is generally the slower—and sometimes more

shocking—of the two. Though he throws in a few curveballs—like the surprisingly

Van-Morrison-esque guitar-and-flute love song, “Breathless” (which, incidentally, is

amazing…just unexpected)—most of the songs are slower and written in minor keys, and

you’ll occasionally find rather disturbing references to violence and death (I was

personally struck by a reference to dead bunnies in the title track).



I

loved Nick Cave when I was in college, and I still do—because of both his different sound

and his pure lyrical genius. Yes, his lyrics are often shocking and gruesome, but

they’re poetic and even beautiful. His imagery, allusions, and word usage are absolutely

brilliant. You’ll find yourself poring over the lyrics and studying their

meaning.



Nick Cave’s music definitely isn’t for everyone—it’s more the

music of poets and philosophers and the chronically depressed (not to mention fans of

Edgar Allan Poe). If you do decide to check him out, you’ll be in for a poetic treat—but

be warned that some of the things you hear may be a bit disturbing. If it’s your first

Nick Cave experience, be sure to start with Abattoir Blues as a warm-up.

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About Post Author

kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it. Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course. As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com). Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.
kdk@nightsandweekends.com
http://www.NightsAndWeekends.com
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kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it.

Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course.

As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com).

Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.

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