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Jazz Singer

kdk January 15, 2013
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It’s hard to imagine a time when movies had no sound—other than an orchestra. With all the special effects and the sound effects—all the flash and the magic—used to create big-budget blockbusters today, it’s hard to imagine what it was like, back in 1927, to hear sound in a movie for the first time. But now, with the three-disc release of the groundbreaking first talking motion picture, The Jazz Singer, you can experience it for yourself.



The Jazz Singer tells the story of the famous vaudeville performer Jack Robin (Al Jolson). Born Jakie Rabinowitz (played as a boy by Robert Gordon), the son of a strict Jewish cantor (Warner Oland), Jakie infuriates his father when he’s caught singing jazz in a saloon. Though Jakie’s father wants him to be a cantor—just like the rest of the men in his family—Jakie feels a different kind of music in his heart, and he leaves home to pursue his dream.



The Jazz Singer is, most likely, unlike any film you’ve ever seen. Though it was the first talking picture, it’s mostly presented as a silent film—with captions for most of the dialogue, as well as a long, orchestral overture. If you’ve never seen a silent film before, it’s an amazing experience—and, 80 years later, it’s a strange way to watch a film. But when you first hear Jakie singing on stage, you can see just how amazing—how magical—it must have been to experience it back then.



Although the film’s quality is sometimes shaky—and the sound isn’t always in synch (apparently because two of the songs in the film weren’t recorded live)—it’s actually quite impressive for an 80-year-old film. And the pops and the cuts only add to the incredible experience. But The Jazz Singer isn’t just an important film historically—it also tells an interesting story that gives today’s viewers a look at life 80 years ago.



At the same time, with the DVD release of The Jazz Singer also comes controversy. Many argue that the film is racist—and that it shouldn’t be acknowledged as a classic. While I don’t want to get too far into the discussion, I will admit that The Jazz Singer definitely isn’t politically correct (Jolson, as a Vaudeville performer, appears on stage in blackface). It must be noted, however, that this is a film from 1927, and it offers a look inside the world as it was in 1927, for better or for worse. To completely denounce the film—instead of acknowledging it for what it is and learning from it—would be a mistake. It would also mean losing a valuable part of cinematic history.





Blu-ray Review:


If last year’s Oscar winner, The Artist, reignited your interest in classic silent films, you won’t want to miss the new Blu-ray edition of The Jazz Singer. This massive three-disc collector’s edition is a classic movie lover’s dream. Included with the new Blu-ray version of the film are hours of extras on DVD—with one disc full of vintage shorts and one disc that features even more classic shorts as well as a feature-length documentary on the introduction of sound to movies.



The release also comes complete with an 88-page book that discusses the making of this ground-breaking film, along with all of the people and companies that were involved in the process. The second half of the book also includes some reproductions of original movie materials from 1927—from original programs and posters to ads and telegrams.



If you’re interested in classic films—or in the history of the industry—you won’t want to miss this fascinating lesson in movie history.

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About Post Author

kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it. Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course. As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com). Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.
kdk@nightsandweekends.com
http://www.NightsAndWeekends.com
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kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it.

Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course.

As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com).

Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.

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