0
0
Okay, I’m willing to admit when I’m wrong.
I wasn’t expecting much from the new AC/DC album. After all, these guys haven’t released a studio album in eight years. I figured there was no way they could come close to matching their previous hits, like “You Shook Me All Night Long.” Now, twenty-eight years later, they’re probably stale.
But the opening cut on Black Ice just knocked me out. When I recovered from the initial shock, I rolled down the top of my convertible and blasted up the volume. That’s the way I like it.
AC/DC may have labored a few years to complete their newly released CD, Black Ice, but it’s been worth the wait. The dynamic opening cut, “Rock N Roll Train,” followed by “Skies on Fire” and “Big Jack” set the electrifying tone for the entire album—15 tracks of pure ecstasy. Let’s not forget “War Machine,” “Smash N Grab,” “Wheels,” and “Rock N Roll Dream.” I really can’t pick a favorite, as there isn’t a mediocre cut in the bunch. There’s just so much here, and it’s almost too good.
Brian Johnson belts out in his gritty vocals, but in a more soulful style. Rhythm guitarist Malcolm Young continues his distinctive signature riffs, and Angus Young shreds with a deliberate but burning intensity. Cliff Williams delivers stronger and tighter bass lines than in the past, and Phil Rudd pulsates on drums. Middle age hasn’t hurt these guys one bit. Though the lyrics are by no means deep or significant, AC/DC is tighter musically.
This is kick-ass rock ‘n’ roll at its best. Black Ice rivals what was my favorite AC/DC album, 1980’s Back in Black. Still, though the band is actually better now—with more complex vocals and stronger lead and bass guitars—if you were never a fan, this won’t convert you. They’re still AC/DC. However, if you’re a fan like me, once you hear Black Ice, you’ll be more than willing to fork over your paycheck just to see them live in their upcoming concert tour. That is, if you can find tickets.
