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Where to Invade Next

kdk February 12, 2016
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Read Time:2 Minute, 34 Second

In more than a quarter of a century of filmmaking, controversial documentarian Michael Moore has used his films to take aim at the American auto industry, the health care system, and Charlton Heston. For his latest film, Where to Invade Next, he boards a ship and heads overseas to learn from (and also aggravate) other countries.



Where to Invade Next follows along on the filmmaker’s mission to help the bumbling Joint Chiefs of Staff by “invading” countries to claim their best ideas for America. This means traveling to Italy to examine their fair treatment of workers and traveling to Finland to explore the best educational system in the world. Along the way, he also visits school cafeterias in France and maximum security prisons in Norway as he continues on his quest to fix our country’s faults once and for all.



No country is perfect. Each one has its pros and cons, its good ideas and its bad ones. And with Where to Invade Next, Moore sets out to explore the things that other countries do right (while, he admits, ignoring everything else). Instead of focusing on just one topic—on business or the military or health insurance—he decides to pick and choose, offering up a smorgasbord of great ideas that could be implemented back home in the States. Some of these ideas are surprising—like the cozy housing complex that serves as a prison in Norway. But they’re often quite fascinating, too.



The film’s greatest problem, then, is that Moore acts as writer, director, and big, noisy star. Though he seems totally amused by the idea of invading other countries to steal their best ideas (in true American style, of course), the gimmick is clumsy and weak, and he seems to get easily distracted away from his topic.



Meanwhile, Moore puts himself at the center of everything. He shuffles through foreign countries dressed in sloppy, 20-year-old jeans, with an old baseball cap covering greasy, shaggy hair, and he proceeds to ask intentionally stupid questions, pretending to be outraged while playing up his role as the stereotypical Ugly American—the kind of character that, in outrageous comedies, is typically played by Melissa McCarthy. His subjects generally seem to be shocked and dismayed by his unprofessional appearance and his loud-mouthed demeanor—and most of them appear to be waiting for the punch line.



If you enjoy Moore’s shtick, you won’t mind it—but, even if you do, you might have a hard time believing that Michael Moore is really an advocate for healthier school lunches (the kind without burgers and fries and buttery cinnamon rolls). And while he makes some great points, they tend to get lost in the act.



Where to Invade Next is an eye-opening film—one that will most likely leave you wondering how we can adopt some of these ideas (especially since Moore doesn’t really offer any suggestions). But while it’s definitely informative, Moore’s bumbling, blustering act makes it rather irritating, too.





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About Post Author

kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it. Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course. As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com). Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.
kdk@nightsandweekends.com
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kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it.

Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course.

As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com).

Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.

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