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  • Freddy Vs. Jason

Freddy Vs. Jason

joshg September 17, 2003
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Read Time:1 Minute, 44 Second

Spurting blood, mangled body parts, gratuitous sex, violence, drug use, and
even

more gratuitous puns pack every on-screen minute of the clash between ’80s slasher

giants, Freddy Kruger (Robert Englund) and Jason Voorhees (Ken Kirzinger). And that’s

actually a good thing!



Freddy Vs. Jason delivers a

blow-by-blow-slaughter-action extravaganza that combines virtually every scenario

postulated by junior high/high school horror fans in the last two decades, who

contemplated the “what if” battle royal of these two supernatural serial killers. Across

the country, many a late night slumber party slash-a-thon film fest has probably

degenerated into debating the outcome of this fiendish melee of the ages. For my friend

John and I, this conflict was chronicled in a battered spiral notebook that was

circulated among the most select group of sixth graders. Sample: “Jason cuts off

Freddy’s hand, but since they are in the dream world, it just grows back and Freddy

laughs.”



The screenplay is only a slight improvement on our versions, but

really that’s
the whole point: packing in as many of these fan scenarios as the

narrative can
endure (and then some).



The plot is surprisingly

creative when considering the source. Freddy, ever the egotist, finds himself impotent of

his dream stalking powers when Elm Street, The Next Generation forgets about him. To

remedy this, he resurrects Jason, the unstoppable mama’s boy killing machine, to

terrorize teens and return him to
his full power. The only problem with unstoppable

killing machines is…well, they
don’t stop. Therein lies the conflict.




Unfortunately, the creativity wears off around the fourth time the plot

is explained.



In the tradition of the slasher genre, the film maintains

its superficial stab at a morality piece/STD metaphor, hacking apart intoxicated,

over-sexed, horny
teens in need of punishment. It makes an equally superficial effort

to challenge the stigma misogynistic rape fantasy by making the second victim a

card
carrying chauvinist. Nonetheless, in the same vein as the Frankenstein

monster,
Dracula, and Wolf Man, this modern creature feature combat, is undiluted

puerile
entertainment.

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joshg

jgryn5@hotmail.com
http://heartlander.stormpages.com
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