0
0
When I first heard about the upcoming release of Kaleidoscope, the fourth studio album from DJ Tiësto, I was stoked, to say the least. Although I don’t listen to this genre of music often, I can find the beauty in electronic, and, depending on the song, I enjoy listening. Even though I have to admit that I have little knowledge of this music, I do know that Tiësto has the reputation of being one of the best in the industry.
The first track, “Kaleidoscope,” which features Jónsi of Sigur Rós, has a very accurate title. The soothing and calm vibe in most of the song has a rhythm that brings to me an image of a kaleidoscope, changing its picture with every beat. Toward the end, the sound grows more intense, keeping the track interesting. However, I can’t see myself listening to it while getting ready in the morning or driving on the way to work, since it’s not peppy enough. It’s more relaxing.
I was also anticipating the release of this CD because of the collaborations with other artists. I was especially looking forward to the track featuring Tegan and Sara, and my instincts were right on. Their song, “Feel It in My Bones,” is my favorite of the album, thanks to the catchy lyrics and vocals, complemented by Tiësto’s superb rhythms. I was also anticipating Nelly Furtado’s “Who Wants to Be Alone,” but found it mediocre.
Kaleidoscope also features artists such as CC Sheffield from Le Rev, Kianna of Tilly & The Wall, Kele Okereke of Bloc Party, Calvin Harris, Emily Haines of Metric, and Sneaky Sound System. Tiësto collaborated with many artists whose voices varied, and who I would probably never listen to if not for this album. For example, I personally don’t care for the voice of Kele Okereke on the eighth track, “It’s Not the Things You Say,” but with Tiësto’s calming beats, the voice works. Meanwhile, the promoted single, “I Will Be Here,” with Sneaky Sound System, explodes with bopping beats that are perfect for a dance party.
However, of the rest of the seventeen songs, none of the tracks really beg for another listen. Most just sound alike. The tracks without vocals left me bored, and, frankly, I was hoping for more danceable songs. Considering all of the hype that came with this album, it just doesn’t measure up.
