A Painted House Review
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John Grisham has made a kingís ransom with his legal thrillers, but to be honest, only the first two were really good books. After that, all of his legal books read like they were written in order to make movies from them. None of his latter legal books have quite the emotion of A Time to Kill, or the raw energy of The Firm. They all seem to have the same basic plot and formula, perfect for reading on the subway or at the beach, but not really much of anything else.

When he steps away from that money making format, like he did with Bleachers, he shows the world that he is a really good writer. In A Painted House, he reaches back into the rural Arkansas of 1952 to tell the story of a single cotton harvest and the impact it had on the life of a seven year old boy.

  
 
The cotton is ready to be picked when the book opens and the narrator, one Luke Chandler, is riding in the family pick-up truck with his Pappy to find help for the harvest. The two of them are headed into the mighty metropolis of Black Oak, Arkansas, to see if the Mexican labor theyíve been promised has arrived yet. On the way theyíve got to try and hire some hill people to help with the crop too. They get both, and more than they could imagine by the time they return to the farm.

Lukeís inner voice is a bit more mature than most seven-year-olds that I know of, but itís a convincing one none the less. This book is about the crop, the iterant workers who come to harvest it, a flood, a family in transition, and a way of life that no longer exists in America. Mostly, itís about a boy who learns more, and is witness to more than most people, than he should be and how he deals with those events. There are some moments in the book that are gruesome and some that are simply good, human moments.

This book starts slow and takes its own sweet time building any real momentum. The wait is worth it in a book that makes the reader genuinely care about the characters and where their lives go after the cotton harvest of 1952.

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