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Once upon a time, Mel Gibson was one of Hollywood’s golden boys. He cranked out movie after movie—dramatic roles, action roles, even a chick flick or two. But then he decided to step behind the camera for a while—for movies like The Passion of the Christ and Apocalypto. In the meantime, he’s taken on a new role: Hollywood train wreck—a position that seems to have prepared him well for his outlandish (yet curiously entertaining) return to acting.
In Edge of Darkness, Gibson plays Tommy Craven, a Boston detective whose reunion with his daughter, Emma (Bojana Novakovic), is cut brutally short. Shortly after Emma returns home for a visit, she becomes violently ill. But before Tommy can get her to the hospital, she’s shot and killed on his front porch.
At first, Tommy assumes that the bullet that killed Emma was meant for him. But as he searches for answers, they all seem to lead him back to Northmoor, the company where Emma had just been hired as a nuclear engineer.
Soon, Tommy finds himself caught up in a web of classified government contracts, greedy CEOs, and mysterious activist groups. And, to make matters worse, there’s a mysterious British guy (Ray Winstone) following him around—and it’s hard to tell whose side he’s on.
Edge of Darkness is the kind of action movie that usually stars Nic Cage. It’s quick and dirty. It’s filled with ridiculous action scenes and overdone drama. And it makes little or no sense. Yet there’s still something about the whole crazy mess that makes it just the slightest bit craptastic.
Though you might expect a pretty solid thriller from the director of Casino Royale (Martin Campbell), the screenwriter of The Departed (William Monahan), and the guy from Braveheart, Edge of Darkness is mostly just complicated and wacky. In fact, the story is almost as chaotic as Gibson’s personal life. There are so many shady politicians and sinister businessmen and mysterious others that it’s hard to keep track of them all. They all seem to be connected in some way, but the connections are a bit sketchy (other than the fact that they’re all clearly evil). And the overplayed (and usually muffled) Boston accents definitely don’t help to clear things up.
At the same time, though, it’s all so ridiculous that it’s often strangely entertaining. From the over-the-top performances and corny writing to the all-too-inept bad guys and the all-too-convenient (and totally predictable) twists of fate, it’s absolutely, positively laughable. As a serious action movie, though, Edge of Darkness is, to put it simply, dreadful. So it’s probably best to wait to see it until it comes out on video (or, better yet, late-night cable)—because, mixed with a row of shot classes and a bottle of something cheap and potent, it’s sure to make for an entertaining evening.
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