Possession
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It’s not often that I leave a movie wishing that they told me less. Especially in this sort of historical mystery movie—usually things aren’t resolved enough. But Possession felt too—well, explained. Nothing was left to the imagination—not one clue was inaccessible or left unguessed. It worked out—I hate to say it—too perfectly.

It would have all been okay if it had been a Sherlock Holmes mystery. Sherlock Holmes has that magical preternatural ability to sleuth out every clue—and you love him for it.

But neither of this movie’s heroes are Sherlock Holmes by any stretch of the imagination. They are an American researcher specializing in Victorian poetry (Aaron Eckhart) and a British professor (Gwyneth Paltrow)—who seem to be not so much good at their particular brand of literary sleuthing as fortunate. Fortunate to stumble upon many clues leading to an entire story about a hundred-and-fifty-year-old love affair between two poets. While they’re finding things out together, they’re falling for each other as well.

The really frustrating part of this movie is that the scenes that don’t follow the modern-day sleuthing tell you absolutely everything about the historical affair—even what the pair doesn't find. And then what they do find seems too easily gained. There are rivals trying to get to the same information, but somehow the attempts don’t seem terribly threatening.

There are good points to the movie—for instance, the characters are interesting, and the British landscapes are marvelous. But the plot didn’t quite pull through—or I should say it carried too far through. I would have liked to have a few more twists left to my imagination.



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