As we enter the season of mega-blockbusters and special effects-driven epics, there’s some relief in watching a low-key, fairly straightforward sci-fi flick that relies more on atmosphere than spectacle. Writer/director Caradog W. James’s The Machine fits that bill nicely. While its somewhat minimalist approach shortchanges a bit on plot and character, the film engages on a conceptual level with some compelling imagery and an impressive
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